These two drawings are both on full imperial (57 x 76cm) sheets of heavyweight watercolour paper, It’s handmade paper – as you can tell from the lovely deckled edge visible in my photograph of Mandrake – and somewhat rougher in texture than my usual choice.…
Continue reading Mixing it up: Mandrake and Multifacet
Dragons have appeared in my work before – there have been stylized dragons in paint and print, and suggested dragons in tree drawings – but this side-project is a little bit different. It started with an art club challenge: a 6×6″ picture of a pet.…
Continue reading Diversion: Dragons
Exuberant is a drawing in document ink using pen and ink wash. It uses the same inks as Procession (albeit with different techniques) and is on a slightly smaller sheet of paper (it is 50x70cm, 100% cotton watercolour paper). Like Procession, it was started before…
Continue reading Exuberant
A few years back, I established a little tradition of painting the bluebells en plein air. They were usually my first plein air piece for the year, as their appearance coincides with the warmer weather. What with one thing and another, and Open Studios happening…
Continue reading The Bluebells Were Almost Over
De Narrow Zawn is a tiny inlet in Cornwall’s “tin coast“, a World Heritage site littered with the ruins of old mines for tin, arsenic and copper. In fact, it’s at Botallack, which is probably the best known Cornish tin mining site. If you were…
Continue reading Dynarow Zawn
The striking monochromacity of silver birch is a natural fit with pen and ink, but I wanted to do something different with it. So I decided to try drawing on wood. I had several 12 by 12 inch squares of plywood – by chance, it…
Continue reading Silver Birch (blue and gold) series
Last Wednesday was warm and dry, perfect weather for sitting on a hill and painting. I decided to find another open access hillside, and settled upon West Woodhay Down – about 12 miles distant, and a place that I had previously walked and sketched but…
Continue reading Harlequin (West Woodhay Down)
The warm weather tempted me out again to Stubbington Down. This time, I climbed to the top (it’s very steep) and made my way round to the left so that I had a rather different view of Cannon Heath Down. The painting’s name, White Hill,…
Continue reading White Hill – SOLD
This was painted, en plein air, in the last of September’s sunshine. There is a convenient patch of access land on the steep slope of Stubbington Down with a view across the rich farmland of the vale of Kingsclere, looking west towards Beacon Hill and…
Continue reading Vale (of Kingsclere)
